Tuesday, September 28, 2010

Alice Yard 4 x 4 Anniversary

Alice Yard celebrates it 4th anniversary with a collection of events. 
PRESS RELEASE
http://aliceyard.blogspot.com/


ALICE YARD FOURTH ANNIVERSAY CELEBRATION EVENTS
DATE: FRIDAY 24th September – October 1st
September 2010 is Alice Yard’s fourth anniversary as an independent space for creative experiment. This year we mark the occasion with 4x4, a programme of events focusing on Alice Yard’s regional network, and our creative collaborators in four specific Caribbean locations: the Bahamas, Barbados, Jamaica, and Suriname. 
What’s On in the Main Galleries (the Box, Annex and Band-room Nook):
The exploration of digital photo- and video-based work is a significant recent trend among younger Jamaican artists. Shot in Kingston assembles work by Marvin Bartley, Keisha Castello, Stefan Clarke, Marlon James, O’Neil Lawrence, Ebony Patterson, and Oneika Russell, curated by Christopher Cozier and O’Neil Lawrence. 
The Galleries are open on:
Friday 17 September (7.00 to 9.00 pm); Saturday 18 September (7.00 to 9.00 pm, when Cozier will be available for informal conversation about the works); and Wednesday 29 September (8.00 to 10.00 pm), or by special request.
Friday 24 September: Outward reach
Alice Yard’s Caribbean network includes independent contemporary art institutions in the Bahamas and Suriname. Artists 
John Cox of Popopstudios in Nassau and Marcel Pinas of the Kibii Wi Foundation in Moengo join Christopher Cozier in a conversation about regional collaborations and future possibilities. 8.00 pm
 
Monday 27 September: Heino Schmidt: Equilibrium
Bahamian artist 
Heino Schmidt has been living and working at Alice Yard since May 2010, supported by a Commonwealth Connections International Arts Residency. Equilibrium is a new work created during his time in Port of Spain, also presented at the 2010 Liverpool Biennial. 8.00 pm
http://heinoschmid.com/

 

Wednesday 29 September: O’Neil Lawrence on the Kingston scene O’Neil Lawrence is an artist and curator at the National Gallery of Jamaica. He will give an informal talk on current trends in Jamaica and the artists included in Shot in Kingston8.00 pm
 
Friday 1 October: Sheena Rose and Lauren Hinds
Barbadian 
Sheena Rose was artist in residence at Alice Yard in May 2009, when she presented her animated video work Town. She recently participated in a residency and exhibition in Cape Town.Lauren Hinds is a Trinidadian artist working in the medium of the graphic novel. She recently completed a year-long programme at the Centre for Cartoon Studies in White River Junction, Vermont. Rose and Hinds will spend a week working together, then present their collaborative project to the public, together with recent solo works. 8.00 pm
 
Further details of each event will be posted at the Alice Yard website during the 4x4 programme.
Please check for times and updates.
About Alice Yard 
80 Roberts Street, Woodbrook
Alice Yard Space is a small gallery in the backyard of 80 Roberts Street--a nine-by-seven-by-ten-foot concrete and glass box designed by architect Sean Leonard, which opens in September 2007. It is just large enough to fit an artist's installation, a video work, a few drawings or paintings. Since September 2006, Alice Yard has been home to a series of weekly Friday-night "Conversations", bringing musicians, artists, writers, and audiences together for informal performances and interactions. The gallery now creates the possibility for another kind of conversation, by offering contemporary artists a space to show a carefully selected piece of recent work, or even work in progress. The concept evolved from a conversation between Sean Leonard and artist Christopher Cozier, and through a series of drawings in a sketchbook they shared over a period of six months. They conceived of a modest space where artists can experiment with ideas and works not normally feasible in a commercial gallery. They are inviting other artists to join in their sketchbook conversation, as it were, and also inviting viewers into the process. Alice Yard Space asks questions about the relationship between artists and their community, outside the conventional bounds of the art market (but not oblivious to commercial concerns). 
About  the show’s main curator and Alice Yard administrator Christopher Cozier 
Christopher Cozier is an artist and writer living and working in Trinidad. He has participated in a number of exhibitions focused upon contemporary art in the Caribbean and internationally. Since 1989 he has published a range of essays on related issues in a number of catalogues and journals.

He is on the editorial collective of 
Small Axe, A Caribbean Journal of Criticism, published and distributed by Duke University Press. He is the editor of sxspace a blog platform about the visual on the small axe website. The artist has been an editorial adviser to BOMB magazine for their Americas issues (Winter, 2003, 2004 & 2005). The artist is a Senior Research Fellow at the Academy of The University of Trinidad & Tobago (UTT) and was Artist-in-Residence at Dartmouth College during the Fall of 2007 .  
He co-curatored the exhibition Paramaribo Span , Suriname 2010 , recently showed his work Tropical Night in AFRO MODERN at the Tate, Liverpool, 2010, Sound System II at the recently concluded Rockstone and Bootheel: Rockstone and Bootheel: Contemporary West Indian Art in Hartford , Conneticut and is the 2010 Trinidad and Tobago Film Festival commissioned artist. His work “NOW SHOWING” is the 2010 festival image. 


-Info and Photo supplied by Richard Rawlins

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  1. INSIDE OUT: BBC TV. POGUS CAESAR RETURNS TO HANDSWORTH, BIRMINGHAM, UK

    The riots in Handsworth, Birmingham in 1985 saw some of the worst urban violence Britain had ever seen. And film maker and photographer Pogus Caesar found himself caught up in the heart of the unfolding battles.

    The images that Pogus took in 48 hours provided a startling and horrifying insight into naked anger and terrifying violence on inner city streets.

    But those pictures lay hidden for 20 years - and he destroyed many of the negatives. Pogus explains why he waited so long to reveal the photographs that graphically illustrate such a dark and chaotic period in Birmingham's history. "If you pass on your images to a newspaper, they have to sensationalise them. I would have had to live with that, and it's something I wouldn't have been proud of," Pogus reveals.

    The Handsworth riots produced a massive media reaction, but Pogus was able to get where reporters could not. He was a local man who was trusted. "When the pictures came to life, I was very pleased with what I had taken," he said. "It was an important way of showing not only the community but the wider public at large what we were kind of witnessing at that particular time."

    Twenty five years on, Pogus reflects on the simmering tensions that created an urban battleground with violent clashes, looted shops, firebombed buildings, and the deaths of two people.
    "The first thing that really hit me was the choking smoke," he remembers.
    "There were bottles flying everywhere, there were stones, there were flames, there were cars being overturned.

    "There were black people, Asian people, white people - a lot of people saw themselves in crisis."

    But what of Handsworth in 2010? And what future does Pogus see for an area that still has a colourful mix of cultures? "It is a resilient community, it's a community that's getting better and when I talk to people who live here they are trying to heal a lot of wounds. "The scars of 1985 will never heal completely but people of Handsworth are strong, they are resilient.

    "The candles are burning slowly but the flame is bright."

    http://youtu.be/Ey7ijaXv6UQ

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