Marcus Bird's Tokyo Story

The Creative Potential of Pecha Kucha Presentations

N.L.S., A New Local Space

Deborah Anzinger's artist run residency and exhibition space in Kingston

Remembering Kumina

Rex Nettleford's Legacy and The National Dance Theatre Company

Light Sensitive

Marlon James' black and whites

Annalee Davis: ON THE MAP

Caribbean Political Documentary

Tuesday, February 6, 2007

The legacy of tourism:

The 'Dangerously Close to Tourist Art' Lecture given on the 2nd of this month touched on a few points that have been up for discussion for quite a while now. What kind of art can bear the 'intuitive' label? What separates the gallery intuitive from the craft market intuitive? What role does the tourism industry play in the formation of the arts in Jamaica? Another issue raised was that of how much do we have to give in order to gain from tourism?
This is the moment to ask these questions about the relationship between tourism and art as with the restructuring of government art & culture now fall under the Tourism ministry. This strikes me as an odd placement as tourism sells a product. It is interested in Jamaica as a commodity. This may ultimately influence the development of the arts in Jamaica either through new cultural policies, 'Brand Jamaica' strategies or other product-oriented ideas. What are your views?